48TH MILESTONE SEASON
NuWorks Festival
June 14-22, 2025
Theatre Row: One
410 West 42nd Street (view map)
Pan Asian Repertory Theatre’s
annual festival of new experimental works
by Asian American artists.
Pan Asian Rep culminates its 48th Milestone Season with the annual NuWorks Festival, an experimental series of self-created work from innovative artists exploring an eclectic range of genres and techniques using poetry, text, dance and music.
CATCH ALL FOUR PROGRAMS IN THE FESTIVAL!
Click the buttons below to learn more about each program.

NUWORKS 2025: PROGRAM A
Saturday, June 14 at 7:00 p.m.
Thursday, June 19 at 7:00 p.m.
Myka Cue
Chasing the Butterflies
Chasing the Butterflies is a solo performance tracing a daughter’s memory of her late father through movement, music, and magic. Inspired by the Filipino belief that butterflies carry the spirits of the departed, it explores how we keep those we’ve lost alive and the quiet ways in which love endures.
Created & Performed by Myka Cue
Co-Directors: Katusha Jin & Sophie Zmorrod
Dramaturg: Carol Ann Tan
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Chasing the Butterflies by Myka Cue
Myka Cue (she/her) is a Filipino-Chinese actor, theatremaker, and fierce collaborator from Manila. Select Credits: Export Quality (HERE Arts), Sweeney Todd (Trinity Rep), Valor (Guthrie Theater), I'll be in my Hanukkah palace (Ars Nova ANT Fest), Wolf Play, Mr. Burns: a Post-Electric Play, Much Ado About Nothing, and Angels in America (Brown/Trinity Rep). She has participated in workshops and readings at New York Theatre Workshop, Manhattan Theatre Club, New Dramatists, Fiasco Theater, Ping Chong + Co., and Baryshnikov Arts Center, among others. Myka holds an M.F.A. in Acting from Brown/Trinity Rep and a B.A. in Multimedia Storytelling from NYU Gallatin. Love and gratitude to her family, friends, and collaborators who keep her going! mykacue.com
Bee Vang
Your Movie Guide to Life
Bee Vang, actor and lifelong cinephile, weaves together existential horror in films with his inherited histories—both personal and geopolitical. This one-man show delves into the shaping power of cinema, Hmong history, his anti-war activism, and his leading role in Clint Eastwood’s Gran Torino.
Written and Performed by: Bee Vang
Directed by: Jeff Liu
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Your Movie Guide to Life by Bee Vang
Bee Vang, at 16, landed the leading Hmong American role of Thao Vang Lor in Clint Eastwood’s 2008 film Gran Torino. He went on to perform in independent films and on stage at Brown University, where he earned a liberal arts degree in 2016, studying international politics, philosophy, and cultural theory. He also trained in Chinese opera and Japanese performance techniques in China. Over several years of working in broadcast and print journalism, nonfiction writing, and policy research, he has continued to pursue acting, filmmaking, and other creative work both in Los Angeles and in Minnesota. In addition to his professional work and advocacy, Vang also serves on the board of the War Legacies Project, an international NGO supporting communities in Laos, Vietnam, and Cambodia still affected by toxic herbicides such as Agent Orange and unexploded ordnance. He is currently the inaugural artistic director of the Minnesota Asian American Film Festival.

NUWORKS 2025: PROGRAM B
Sunday, June 15 at 3:00 p.m.
Friday, June 20 at 7:00 p.m.
Momo Akashi
Kotsu-Kotsu
Kotsu-Kotsu follows a female BL manga artist quietly battling breast cancer while chasing deadlines and holding onto her creative spark. Behind the romance she draws lies her own story of resilience. As her footsteps echo onstage, you may hear your own—and discover the gentle, whimsical kindness of the world.
Playwright: Momo Akashi
Director: Saki Kawamura
Producer/Performer: Minami Yoshimura
Projection Design: Chase Kniffin
Costume Designer: Jeanna Dipaolo
Production Manager: Emily Howe-Tuladhar
English Consultant: Alex York
Illustrators: Yuyu Yukishiro, Masuoka
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Kotsu-Kotsu by Momo Akashi
Momo Akashi is a New York-based playwright and lyricist who creates East-meets-West stories that blend the aesthetic elements of Japanese anime such as reverence for nature, the omnipresence of the supernatural, and the search for beauty with American theatrical writing.
New York City premieres include: Letter (Downtown Urban Arts Festival), Everest (NAAP Discover Musicals), VOICE (Time Capsule Project, Commissioned by Mai Ozeki), The Show Must Go On (The Sixth Festival), Serenity and Delight (Ren Gyo Soh), The Restaurant of Many Orders (MuSE), and MINORU: Scrape the Sky (The Tank). Akashi made her off-Broadway songwriting debut in Village Songs at the Rattlestick Theatre. As a lyricist, Momo released her first J-pop single, “Tokimeki,” with music by Zachary Catron and vocals by Joo Won Shin (Squid Game), which received nearly 20,000 streams within its first year of release.
She is a member of the Dramatists Guild and PlayPenn’s writers' cohort program.
Boat Noodle Burglary
Two Thai-American coworkers take a spontaneous road trip for a special ingredient in a Thai noodle soup recipe. Grief overflows, and ancestry refuses to be forgotten. What can we hold onto when the connection to our roots begin to fade? And what happens when memory is stained, like a cookbook?
Written by Chacha Tahng
Actors: Sammy - Chacha Tahng, Eric - Benjamin Lang
Director: Chloe Chow
Sound Designer: Howard Ho
Projection Designer: Zoë Danger Lappin
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Boat Noodle Burglary by Chacha Tahng
Chacha Tahng (she/they) is a Thai-American artist born and raised in the San Francisco Bay Area. Theatre: This Is Not A True Story (Artists at Play, Latino Theatre Company). Seven Hoshi (CalArts), The Water Station (CalArts), Oedipus the King (CalArts). Film: Song Sung Blue (Focus Features) in theaters this Christmas. Training: BFA Acting, CalArts; Royal Academy of Dramatic Art (RADA). For grandma.

NUWORKS 2025: PROGRAM C
Tuesday, June 17 at 7:00 p.m.
Saturday, June 21 at 7:00 p.m.
Aiyu Collective
EVEN HERE
Two strangers find themselves in a room amongst long-lost letters, murky memories, and a bag of potatoes. Yifei and Max exchange stories in hopes of navigating the vacuum of their unexpected circumstance. Seasons pass, memories fade, and time begins to reveal the identities they once held.
Created by Aiyu Collective
Performed by An-Li Bogan and ChiWen Chang
Sound Design by JC Chang
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EVEN HERE by Aiyu Collective
Aiyu Collective is a multidisciplinary arts company founded by An-Li Bogan and ChiWen Chang. The NYC-based company was born out of the duo’s shared desire to create work that feels like the familiar, afterschool dessert your grandparent treats you to.
As individual artists, An-Li and ChiWen’s credits include: Ars Nova, Ma-Yi Theatre Company, Taipei Fringe Festival, Powerhouse Theater Festival, Soho Playhouse, Maihouse Studio, New York Asian Film Festival, Sundance Film Festival, SXSW, and Palm Springs Shorts Fest.
Formalized during our residency at Fresh Ground Pepper in 2024, Aiyu Collective is excited to premiere its first project “EVEN HERE” at Pan Asian Repertory’s NuWorks Festival! Later this summer Aiyu will shoot its first film, “Vivi”, in New York City.
IG @aiyu.collective
Howard Ho
Where I’m From
Howard grew up in the legendary AAPI enclave, the San Gabriel Valley or SGV, a suburb of Los Angeles. But its status now as a cultural hub and culinary hotspot is a shocking new development. Howard celebrates what it was really like growing up there from the 90s to today.
Writer/Composer: Howard Ho
Director: Jully Lee
Cast: James Seol and Viet Vo
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Where I’m From by Howard Ho
Howard Ho is a Chinese-American playwright, composer, and Youtuber. WHERE I’M FROM was previously produced as part of Center Theatre Group’s Community Stories. His play PARITY was performed in last year’s NuWorks Festival. He sound-designed and composed music for Pan Asian Rep’s MY MAN KONO. He is a 2024 winner of the Samuel French Off Off Broadway Short Play Festival for BEETHOVEN’S THIRD. His full-length play RESET was produced at Moving Arts and is published by Next Stage Press. Other works include VARIOUS EMPORIA (2017 O’Neill Finalist), END OF THE LINE (currently licensed by MTI), and PRETENDO THE MUSICAL (CTG Library Reading Series). His design work has earned multiple nominations from the Ovation Awards and SF Bay Area Theatre Critics Circle. His Youtube channel (youtube.com/HowardHoMusic) has over 130,000 subscribers and was recognized by Lin-Manuel Miranda and Jon M. Chu. He holds degrees from UCLA and USC. Rehearsal support provided by MOCA.

NUWORKS 2025: PROGRAM D
Wednesday, June 18 at 7:00 p.m.
Sunday, June 22 at 3:00 p.m.
Katsuto Sakogashira
What Oppenheimer (2023) Did Not Show You
"What Oppenheimer (2023) Did Not Show You" follows one family’s quiet morning in Hiroshima—cooking, arguing, laughing—before the bomb falls. As time moves forward, the play invites us to witness what war takes away, and to notice what we often overlook: the fragile, everyday moments that make a life.
Director: Louis Blachman
Performer/Writer: Katsuto Sakogashira
Dramaturg: Aysha Zackria & Mario Vega
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What Oppenheimer (2023) Did Not Show You by Katsuto Sakogashira
Katsuto Sakogashira is a writer and actor from Amakusa, Japan. He earned BA in Theatre and BS in Biology with a minor in Music from Albright College, and MFA in Acting from Brown University/Trinity Rep. He is also an alumnus of the National Theater Institute. Katsuto is a recipient of the Miranda Family Fellowship and a member of the BIPOC Critics Lab at The Public Theater.
What Oppenheimer (2023) Did Not Show You was developed through his research in Hiroshima. Katsuto interviewed 15 Legacy Successors, individuals appointed by Hiroshima city to preserve and share the testimonies of atomic bomb survivors, and visited key sites across the city to deepen his understanding of Hiroshima and its people. Special thanks to his brother, Akito Sakogashira, whose steady support made the trip possible, and Junko Tezuka, who generously provided additional materials and granted permission to use recorded testimonies as source material.
Youlim Nam
Just a Yellow Cab in New York City
Sometimes the messiest rides take you exactly where you need to go. In the backseat of a yellow cab, Regina, a tipsy Brooklyn transplant on the cusp of 30, dumps her birthday monologue to a cabby. What starts as a night of disappointment transforms into an unexpected moment of understanding between two strangers.
Writer/Director: Youlim Nam
Cast: Delil Baran & Han Na Shin
Sound Design by Coleman Chambliss
Assistant Director: Austin Barron
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Just a Yellow Cab in New York City by Youlim Nam
Youlim Nam is a NYC-based actor, playwright, and director from Seoul, Korea. Her work has been presented at Chain Theatre, Gene Frankel Theatre, The Clemente, and more. Her full-length play a connected place received the City Artist Corps Grant and was later featured in the Dramatists Guild’s Friday Night Footlights® series. In 2023, she was awarded an artist residency at El Barrio’s Artspace PS109, where she presented her full-length play New Year’s Day (Sae Hae). Youlim has been collaborating with renowned artists, including three-time Emmy® winner Cady McClain on various theater projects. Her screen credits include award-winning independent films such as Mingle, Sunkissed Sky, and her own short Acting Is My Destiny, which earned her Best Actress at the International Independent Short Awards. She is a member of AEA, the Dramatists Guild, and an ensemble member of Axial Theatre. youlimnam.com